[Commonplace books: Thomas Farnaby, 17th-century]
Popular? How on earth could it be popular? The thing was charming with all his charm and powerful with all his power: it was an unscrupulous, an unsparing, a shameless merciless masterpiece. It was, no doubt...the worst he could do; but the perversity of the effort, even though heroic, had been frustrated by the purity of the gift...He'll try again for the common with what he'll believe to be a still more infernal cunning, and again the common will fatally elude him, for his infernal cunning will have been only his genius in an ineffectual disguise.
Posted by stronzo on 08.29.2012
The romantic stands...for the things that, with all the facilities in the world, all the wealth and all the courage and all the wit and all the adventure, we never can directly know; the things that can reach us only through the beautiful circuit and subterfuge of our thought and our desire...The balloon of experience is in fact of course tied to the earth, and under that necessity we swing, thanks to a rope of remarkable length, in the more or less commodious car of the imagination; but it is by the rope we know where we are, and from the moment the cable is cut we are at large and unrelated...The art of the romancer is, "for the fun of it," insidiously to cut the cable, to cut it without our detecting him.
Posted by stronzo on 04.09.2009
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